Create a 3D Animated Short Film

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Film Pipeline
Final short from the tutorial
Create a 3D Animated Short Film.
This is the complete workflow for making a short 3D animated film. It is designed for Sequencer, but you can follow the same process with any toolset that can generate images, generate video, edit video, and upscale final clips.
We'll cover how to write the script, create the voices, set up the project, create the start frames, generate the clips, then edit and sound design the final cut.
This is not a one-prompt video. It is the result of carefully crafting the writing, timing, performances, and final edit.
Generate Your Own Film
1
Write the Script
Write the short before you generate anything. Include the premise, the shot ideas, the characters, and the actual dialogue you want spoken. The clearer the script is, the easier it is to judge every image, video, and edit decision later.
Do not rely on AI to write the final script. It can help you organize ideas, but it is not reliably creative enough yet for a quality short film. Take the time to write a specific, original idea yourself. The jokes, timing, point of view, and taste are what make the film work.
2
Create the Project
Create a new project in Sequencer. If you want to keep the work separate from your other edits, create a new workspace first. Paste a starter prompt with the character descriptions, model choices, visual style, and dialogue.
Starter prompt
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More
Create a vertical 9:16 high-end 3D animated short called "Road to New Jersey." Visual style: High-end stylized 3D animation, expressive caricature faces, detailed cloth texture, believable skin shading, soft cinematic lighting, shallow depth of field, wet asphalt, rain, headlights, volumetric streetlight glow, scratched red truck paint, realistic dust and mud, high-quality animated feature look. Characters: @Ronaldo is tall, intense, and overly serious. He wears a deep red Portugal-inspired kit. @Tiny_Messi is ...
Generate Your Own Film
3
Create the Rough Edit
In Sequencer, Snappy will create the first scene layout, shot cards, and starting image prompts for you. Review that work carefully. Make sure the shots are in the right order, the timing feels right, and each prompt matches the script.
A shot card represents one shot and all the media that composes it. It keeps the starting images, generated videos, prompts, audio, and selected final version organized in one place.
Start Frame
Video
+
Start Frame
Stores the image versions and prompts for that shot.
Video
Stores generated clip versions so you can compare takes and switch back to older versions whenever you want.
Plus button
Adds more media to the shot, including an audio file when the selected video model supports audio input.
If you have voice actors, record the script and add each audio file to the matching shot card with the plus button. Choose the audio file as an input before generating the video. This only works with video models that accept audio input, such as Seedance 2.0 and P-Video.
If you do not have voice recordings, put the dialogue for each shot directly in that shot's video prompt, inside quotation marks, so the video model knows what to generate.
For generated dialogue, use models that handle speech well, such as Seedance 2.0, Veo 3.1, Pruna P-Video, Kling v3, or Happy Horse.
4
Refine the Start Frames
Snappy will generate the first start frames from your characters, scene images, and shot prompts. Spend real time here. About half of the work should be refining the starting images before you animate anything.
Make sure the images tell the story, feel continuous from shot to shot, and look high quality. Check staging, faces, hands, lighting, and character consistency. Fix the still first. Video generation will not save a weak image.
5
Generate the Clips
Generate multiple versions of each shot. Use the prompt to describe the acting, camera movement, and physical action. If the shot has an audio input, let the audio handle the words.
If you are generating dialogue inside the video model, put the line in quotes in the video prompt. For recognizable faces, use unrestricted models such as Pruna P-Video or Kling 3.0.
Pick your favorite version for the edit, but keep the others. You can switch back to older versions at any time if a later take is worse or the edit changes direction.
Example Shot Setup
These are the start frames, image models, video models, and video prompts from the example edit. For speaking shots, the dialogue is written directly inside the video prompt.
Shot 01
Traffic Stop Escape
Image model
Nano Banana Pro
Image prompt
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High-end 3D animated film still, police body-cam perspective into a scratched red vintage pickup truck at night. Ronaldo, Mini Messi, Mbappe, and Neymar are packed ...
Video model
Kling O3 Standard
Video prompt with dialogue
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Cartoony 3D animation, police body-cam perspective: An aggressive, intimidating officer confronts a red truck containing a silent, visibly terrified Ronaldo, Messi, Mbappe, and Neymar on a dirt road. the soccer players look bervous at each other, then awkwardly still, then they glance at eachother and ronaldo puts his hands on the wheel of the truck and abruptly peels away forward ( ronaldo starts laughing) to the left in a cloud of dust, with the officer frantically chasing behind. the truck only drives forward. ...
Shot 02
Truck Side Chase
Image model
Gemini 3 Image
Image prompt
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we need to make a side view of this red pickeup druck speeding down a dirt road int eh dark. side ...
Video model
Kling O3 Standard
Video prompt
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the red vintage truck speeds down a windy road very fast, at racing speeds. its comedic cartoony 3d animation. no music. sfx ...
Shot 03
Dashboard Radio Punch-In
Image model
Gemini 3 Image
Image prompt
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vintage red ford pickup truck radio dashboard, from the interior. 1980. hyper realistic 3d cg render realistic. 2 passengers. world cup trophy air freshner. pixar style ...
Video model
Kling 3.0 Omni Standard
Video prompt
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the truck accelrates forward faster and faster to 100+mph then a hand reaches out from the driver and pushes the power button, the radio lights up and shows a beautiful ...
Shot 04
Ronaldo Goat Monologue
Image model
Nano Banana Pro
Image prompt
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Front-facing 3D animated interior shot from inside a red vintage pickup at night. Ronaldo drives with intense focus, Mini Messi sits tiny in front of him, Neymar is ...
Video model
Kling 3.0 Omni Standard Audio
Video prompt with dialogue
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Exaggerated 3D animated chase, high-speed night getaway. Ronaldo drives frantically while delivering a fast, animated monologue; nervous Mini Messi sits silent with mouth shut; panicked Neymar bounces violently in the truck bed, silently yelling. Chaotic camera mounted to vehicle, extreme motion blur, streaking streetlights, and spraying dirt. Ronaldo says "[fast]i dont know if there can be one goat, i don't really think of it that way you know. Footbol can't be measured, so who can ...
Shot 05
Mbappe Rant
Image model
Nano Banana Pro
Image prompt
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Stylized 3D animated close shot through the windshield of a red vintage pickup. Mbappe sits in the passenger seat in a dark blue France-inspired kit, calm and ...
Video model
Kling 3.0 Omni Standard Audio
Video prompt with dialogue
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3D Pixar-style animation: Kylian Mbappé and an angry Neymar in a vintage car speeding 200mph on a dirt road. the car accelrates faster and vibrates etc. GoPro-mounted perspective captures Mbappé's expressive, rapid-fire dialogue while a bouncing, confused Neymar leans against the vibrating window. Mbappe says in a very fast french accent "Neymar? I don't care about him, you know I'm the most likely to win, I have more speed, PSG is lucky I left, would have won 3 or 4 trophies there. Now Madrid is so annoying ...
Shot 06
Messi Whisper Close-Up
Image model
Nano Banana Pro
Image prompt
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Extreme close-up 3D animated portrait of tiny Messi inside a moving red pickup truck. He wears a blue and white Argentina-inspired kit, looking sweet and mischievous, ...
Video model
Kling O3 Standard
Video prompt with dialogue
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Stylized 3D animated close-up of characters face inside a moving truck, camera locked and static while the vehicle subtly bounces. Messi displays a cute, emotionless face, shifting from a brief frowning glance left to whispering a secret directly to the camera with a playful smile, hand raised, ending in laughter. Messi says "Mbappe! be quite please. [whispering] honestly I would never say it but [whispering] I do think he looks like a ninja turtle sometimes" then giggles. Messi's voice is quiet raspy deep wispy ...
Shot 07
Gas Station Aside
Image model
Gemini 3 Image
Image prompt
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in the exact same style gan you make an image of ronaldo pumping gas into the red truck, facing the camera for an portrait, neymar int hte truck ...
Video model
Kling 3.0 Omni Standard Audio
Video prompt with dialogue
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Exaggerated 3D animated documentary shot: Ronaldo leans against an old red truck at a gas station, speaking expressively to the handheld camera with a contemplative, fast, reflective demeanor. he has a thick Spanish Pourtugeese accent. In the background, Neymar stands noticeably bored and uninterested, captured in warm, cinematic lighting with a shallow depth of field. Ronaldo says quickly "Messi, yeah, I sink we all know he will probably win it. And to be honest? It will make me so happy for him! I love it when ...
Shot 08
Neymar in the Truck Bed
Image model
Nano Banana Pro
Image prompt
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Stylized 3D animated shot from the back of a scratched red vintage pickup truck. Neymar lounges dramatically in the truck bed wearing a yellow Brazil-inspired kit, one ...
Video model
Kling 3.0 Omni Pro Audio
Video prompt with dialogue
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More
Stylized 3D animation: soccer player in a yellow shirt sits in a truck speeding down a bumpy dirt road. The camera, mounted to the vehicle, zooms in slightly to frame his face. captures his exaggerated bouncing as he speaks directly to the lens, swerving sharply and lifting his foot to emphasize his dialogue. Neymar says "You know, they say I am just here for the vibes. it hurts my feelings a bit, you know? I can score any time I want. My injury is no problem, just like clearly its no ...
Shot 09
Map Strategy Threat
Image model
Gemini 3 Image + Photopea Edit
Image prompt
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can you please upres this image to 2k and add detail make it look high detial and premium 3d animation. also remove the truck in the background. add more detail on the ...
Video model
Kling 3.0 Omni Standard Audio
Video prompt with dialogue
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Ronaldo looks directly at Mbappe int he blue jersey, starring at his eyes. 3D animated, stylized scene: Ronaldo in a red jersey crouches by a map near an old red truck, delivering an intense, threatening speech while looking at Mbappe. Mini Messi, Mbappe, and Neymar stand by with expressions of fear looking at him, mouths strictly closed and silent, as the camera performs a slow, dramatic push-in on the shouting Ronaldo. Ronaldo says while looking at his friends and down at the map: "Just remember like I said ...
Shot 10
Ticket Booth Speed-By
Image model
Nano Banana Pro
Image prompt
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3D animated mini Messi in an Argentina-inspired jersey, tall Ronaldo in a Portugal-inspired jersey, Neymar in a yellow Brazil-inspired jersey, and Mbappe in a blue ...
Video model
Seedance 2.0 Fast
Video prompt
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Fast-motion shot of a dusty, matte red 1990 pickup truck speeding past a ticket booth infront of the crowd. Inside, a Ronaldo in a dark red knit jersey drives with ...
6
Edit and Polish the Cut
Click the Edit tab when you are ready to move shots around, trim clips, tweak timing, and polish the cut. Keep reactions tight, cut on action, and make exposition visual.
Your generated clips are already part of the same film. Story mode and the Edit tab are two views of that edit, so changes you make in Story mode will also appear in the Edit tab.
Add foley by hand after the picture works. For this kind of short, that means engine, gravel, rain, cloth, seat creaks, map rustle, gas pump clicks, crowd noise, cash flutter, footsteps, and room tone.
The timeline during polish: generated clips on the video track, short foley hits on Audio 1, and the longer sound bed below.
7
Export
Export after the edit and sound design are locked. Use the best export settings for your target platform. Upscale or enhance only if the source clips actually benefit from it.
Optional finish
Topaz upscale or enhancement pass
Placeholder export image: replace with the final settings screenshot once the film is ready.
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